Fvmas
nicolasfernandes
guysegers
Jochen Eckstein
Hal Dean
GB
DJpeterDE
Matthias Mader
jmyikes
John Madsen
rosewreaths
Jack Porcello
Hyunjoon Kim
Peter Tush
fer_fer
Daniel Karrer
Jürgen Wettig
Lee Rice Epstein
Eigil Moeller
Stefan Reid
mlewenstein
Martin Reh
Jeroen Weckhuysen
Rodney Bickham
magmaamgam
antidio
3ggh3
Hans
stickomat
Jass Hoar
wareika
tonyclark1
John Coldwell
Richard Pelavin
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
You will get the liner notes, photos and back cover (as jpg-files) as a bonus if you buy the whole album.Purchasable with gift card$12 USD or more
1. |
Gaat Uw Gang, Dames!
06:20
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2. |
Kromhout 2 Cyl. 80 PK
04:29
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3. |
Vino Santo
05:17
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4. |
Hello
02:15
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5. |
Discovery
06:02
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6. |
Trutznachtigall II
09:07
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8. |
Metal Nuit
05:22
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9. |
Sweethearts Of Rhythm
03:18
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about
Intakt CD 002
In its article on the two-day Women’s Music Festival Canaille, which took place on October 17 and 18, 1986, at the „Rote Fabrik“ (a cultural center located in an old red-brick factory), Zurich’s largest daily newsaper called it „one of the most exciting jazz events to happen in Zurich“. During the two evenings 13 female musicians from the current European improvised music scene could be heard in different group formations. Invited were some of the central figures and founders of women’s jazz in Europe.
The recording of the Canaille Festival in Zurich in 1986 is intended to give the broad public a survey of the musical diversity of the current women’s improvising scene in Europe. At the same time we wanted to give not only an impression of he musical breadth of these musicians and a taste of the what was at times almost euphoric, certainly exciting and varied performances, but also to represent all 13 musicians. This record has an important documentary value. Especially because I suspect that the emergence of a broad scene of free improvising women musicians is the most exeptional and innovative moment of the 80s as regards the history of free improvisation. However, this recent history of free improvisers can only be found on a small number of records. There are no recordings of the „Feminist Improvising Group“ (FIG) or the „European Women Improvising Group“ (EWIG) available to the public.
In its article on the two-day Women’s Music Festival Canaille, which took place on October 17 and 18, 1986, at the „Rote Fabrik“ (a cultural center located in an old red-brick factory), Zurich’s largest daily newsaper called it „one of the most exciting jazz events to happen in Zurich“. During the two evenings 13 female musicians from the current European improvised music scene could be heard in different group formations. Invited were some of the central figures and founders of women’s jazz in Europe.
The recording of the Canaille Festival in Zurich in 1986 is intended to give the broad public a survey of the musical diversity of the current women’s improvising scene in Europe. At the same time we wanted to give not only an impression of he musical breadth of these musicians and a taste of the what was at times almost euphoric, certainly exciting and varied performances, but also to represent all 13 musicians. This record has an important documentary value. Especially because I suspect that the emergence of a broad scene of free improvising women musicians is the most exeptional and innovative moment of the 80s as regards the history of free improvisation. However, this recent history of free improvisers can only be found on a small number of records. There are no recordings of the „Feminist Improvising Group“ (FIG) or the „European Women Improvising Group“ (EWIG) available to the public.
credits
released January 1, 1988
Maggie Nicols: Voice
Flora St.Loup: Voice
Annemarie Roelofs: Trombone, Violine
Co Streiff: Alt Saxophone
Mariette Rouppe Van der Voort: Alt Saxophone
Maud Sauer: Oboe
Lindsay Cooper: Basson, Live-Electronics
Maartje Ten Hoorn: Violine
Elvira Plenar: Piano
Irène Schweizer: Piano, Drums
Joëlle Léandre: Bass, Voice
Petra Ilyes: Bass-Guitar
Marilyn Mazur: Percussion
Digitally recorded October 17th and 18th 1986 at the Rote Fabrik, Zurich by Peter Pfister. Mastered at Studio Peter Pfister, October 10th, 1987 by Peter Pfister, Irène Schweizer, Rosmarie A. Meier, Patrik Landolt. Cover design: Ruedi Wyss. Photos: Dany Gignoux. Produced by Intakt Records.
Digiticed in 2022 by Michael Brändli at Hardstudios, Winterthur, Switzerland.
Maggie Nicols: Voice
Flora St.Loup: Voice
Annemarie Roelofs: Trombone, Violine
Co Streiff: Alt Saxophone
Mariette Rouppe Van der Voort: Alt Saxophone
Maud Sauer: Oboe
Lindsay Cooper: Basson, Live-Electronics
Maartje Ten Hoorn: Violine
Elvira Plenar: Piano
Irène Schweizer: Piano, Drums
Joëlle Léandre: Bass, Voice
Petra Ilyes: Bass-Guitar
Marilyn Mazur: Percussion
Digitally recorded October 17th and 18th 1986 at the Rote Fabrik, Zurich by Peter Pfister. Mastered at Studio Peter Pfister, October 10th, 1987 by Peter Pfister, Irène Schweizer, Rosmarie A. Meier, Patrik Landolt. Cover design: Ruedi Wyss. Photos: Dany Gignoux. Produced by Intakt Records.
Digiticed in 2022 by Michael Brändli at Hardstudios, Winterthur, Switzerland.
license
all rights reserved
tags
about
Irène Schweizer Zürich, Switzerland
The pianist Irène Schweizer, born in 1941, is a figurehead of Swiss jazz and is one of the founders of European free jazz.
discography
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Apr 2021 -
Apr 2021 -
Sep 2017 -
Sep 2017
contact / help
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